On Nov. 7, Bilal Dardai and I had some fun live-tweeting THE MAN WHO WAS THURSDAY at New Leaf. Bilal provided the commentary, and I backed him up with a live stream of media – video, audio, and static images.
This is our first crack at packaging the byproducts of theatre – the DVD extras, so to speak – to maximize our creative exposure to an online audience. I’m interested to know what you think of the results. Obviously we didn’t publicize this event very much… it was more a proof of concept. The question is: are there pieces here that hook you to see the show, or that hook you to delve further into what we do at New Leaf, and what are they?
You can check out the full broadcast (with some additional commentary!) on Bilal’s blog.
Here’s some highlights:
New Leaf, 8:03pm: Brian Rooney prepares for his role as the Marquis RT @bilaldWill be updating from dressing room.
Bilal, 8:04pm: Sean Fawcett (Sunday) threatened to spend the first 30 minutes of this show staring at me blankly.
Bilal, 8:30pm: Tidbit: the secret knock Gregory uses to access the anarchists’ chamber is that 10-note royalty phrase you always hear to signify “England.” First time I heard it, I thought it was the opening beat to the Rose Royce disco classic “Car Wash.”
New Leaf: http://blip.fm/~g12p8
Bilal, 8:37pm: @jesshutchinson‘s short-hand for this underground anarchists’ meeting is “JV (Junior Varsity) Council.”
Bilal, 8:41pm: The line “Order! Order, anarchists, order!” is one of the funniest lines in the play. And I wish I’d been the one who’d written it.
Bilal, 9:11pm: Just walked into side hallway and saw Ted Evans (Saturday) rocking from side to side, reciting his lines next to the ghost light. Creepy.
New Leaf: This album just rocks for Spy intrigue.
Bilal, 9:24pm: Meanwhile, Nick Mikula is setting up a lot of very large dominoes in front of the dressing room door.
New Leaf: We were going to ask what Nick Mikula was up to right about now.
Bilal, 10:00pm: I recently described @nhburger’s “Monday” voice as being that of the curator of the snootiest art gallery in hell.
New Leaf: Right about now, it is necessary for Monday and Tuesday to form an alliance. This is how they do it.
New Leaf, 10:14pm: Lyrics get progressively more tongue in cheek as show goes on: THURSDAY is @nickkeenan’s tribute to Baz Luhrman. ♫ http://blip.fm/~g17ws
Bilal, 10:15pm: Tidbit: One of the lines in the picnic monologues about Sunday is scavenged from a college poem I wrote about a girl who broke my heart.
Bilal, 10:32 pm: Two of the lines in this rewritten final scene are deliberate and snarky jabs at Chesterton’s actual ending. I’m a baaaaad boy. End of Play, Great Job, All!
The Man Who Was Thursday is now running through November 21st, Thursday – Saturday at 8pm. I mention that because: We are very close to selling out the rest of the run. I’m looking forward to discussing why we think that happened. If you’re a regular reader of this blog and you haven’t seen it and you still want to, reserve your tickets now, don’t say I didn’t warn you.
Speaking of theatrical byproducts that are worth another look, have you heard our Treehouse podcasts at New Leaf? We’re finding and commissioning new plays, and recording podcasts of them. You can download them. On iTunes. For Free. Or join us at New Leaf every month for another live reading. For Free. Let me know what you think.
This post brought to you by Ana Lucia Novak, who bought me some coffee. Actually, do you know where that coffee money really goes? Paypal. Which means I use it to buy speakers. Like the two beautiful JF60s I bought for New Leaf that are used in Thursday. So thanks: Your donations make my own sticker shock greatly diminished.
Buy Me a Coffee?