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	<title>Comments on: A Strategy for Educational Initiatives</title>
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	<link>http://theaterforthefuture.com/a-strategy-for-educational-initiatives/</link>
	<description>The Art in the Business of Theater - Collaboration Tools and Technology and the Storefront Theater Movement</description>
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		<title>By: One Year, One Day &#38; One Hundred Posts &#124; Theater For The Future</title>
		<link>http://theaterforthefuture.com/a-strategy-for-educational-initiatives/comment-page-1/#comment-636</link>
		<dc:creator>One Year, One Day &#38; One Hundred Posts &#124; Theater For The Future</dc:creator>
		<pubDate>Thu, 06 Nov 2008 17:27:07 +0000</pubDate>
		<guid isPermaLink="false">http://nikku.net/blog/a-strategy-for-educational-initiatives/#comment-636</guid>
		<description>[...] A strategy for educational initiatives - More hands-on, less talk-back. [...]</description>
		<content:encoded><![CDATA[<p>[...] A strategy for educational initiatives &#8211; More hands-on, less talk-back. [...]</p>
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		<title>By: Kristina Andrews</title>
		<link>http://theaterforthefuture.com/a-strategy-for-educational-initiatives/comment-page-1/#comment-539</link>
		<dc:creator>Kristina Andrews</dc:creator>
		<pubDate>Wed, 10 Sep 2008 19:04:38 +0000</pubDate>
		<guid isPermaLink="false">http://nikku.net/blog/a-strategy-for-educational-initiatives/#comment-539</guid>
		<description>Hey everyone! I&#039;m an administrative intern with The American Place Theatre in NYC. If you haven&#039;t hear about us before, you should definitely logon to our website, www.americanplacetheatre.org. Our program Literature to Life® is a performance-based literacy program that presents professionally staged verbatim adaptations of significant American literary works. The program gives students a new form of access to literature by bringing to life the world of the book with performances that create an atmosphere of discovery and spark the imagination.
I&#039;m writing to let you all know that in almost a week we will be holding our Fourth Annual Literature to Life Festival! 
The Festival takes place September 20-21st, 2008 at the Scholastic Auditorium. 
Some of the adaptations we are including are BLACK BOY by Richard Wright, THE SECRET LIFE OF BEES by Sue Monk Kidd, THE THINGS THEY CARRIED by Tim O&#039;Brien, COUNTY OF KINGS: THE BEAUTIFUL STRUGGLE by Lemon Andersen, ZORA by Laurence Holder, TEACHER MAN by Frank McCourt, THE KITE RUNNER by Khaled Hosseini, and FLIGHT by Sherman Alexie. Please visit us at www.americanplacetheatre.org for more information or call 212-594-4482 x10 to reserve tickets. 
Hope to see you there!</description>
		<content:encoded><![CDATA[<p>Hey everyone! I&#8217;m an administrative intern with The American Place Theatre in NYC. If you haven&#8217;t hear about us before, you should definitely logon to our website, <a target="_blank" href="http://www.americanplacetheatre.org"  rel="nofollow">http://www.americanplacetheatre.org</a>. Our program Literature to Life® is a performance-based literacy program that presents professionally staged verbatim adaptations of significant American literary works. The program gives students a new form of access to literature by bringing to life the world of the book with performances that create an atmosphere of discovery and spark the imagination.<br />
I&#8217;m writing to let you all know that in almost a week we will be holding our Fourth Annual Literature to Life Festival!<br />
The Festival takes place September 20-21st, 2008 at the Scholastic Auditorium.<br />
Some of the adaptations we are including are BLACK BOY by Richard Wright, THE SECRET LIFE OF BEES by Sue Monk Kidd, THE THINGS THEY CARRIED by Tim O&#8217;Brien, COUNTY OF KINGS: THE BEAUTIFUL STRUGGLE by Lemon Andersen, ZORA by Laurence Holder, TEACHER MAN by Frank McCourt, THE KITE RUNNER by Khaled Hosseini, and FLIGHT by Sherman Alexie. Please visit us at <a target="_blank" href="http://www.americanplacetheatre.org"  rel="nofollow">http://www.americanplacetheatre.org</a> for more information or call 212-594-4482 x10 to reserve tickets.<br />
Hope to see you there!</p>
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		<title>By: Laura</title>
		<link>http://theaterforthefuture.com/a-strategy-for-educational-initiatives/comment-page-1/#comment-467</link>
		<dc:creator>Laura</dc:creator>
		<pubDate>Mon, 11 Aug 2008 13:48:11 +0000</pubDate>
		<guid isPermaLink="false">http://nikku.net/blog/a-strategy-for-educational-initiatives/#comment-467</guid>
		<description>Nick, I totally agree, and when I threw in the special performances/talkback idea, I have to admit it was my least favorite idea in the list.  Because I think you&#039;re absolutely right that what is going to get kids excited about theatre is DOING it.  I&#039;m planning to pick the brain of the 17-year-old stage manager I&#039;m working with right now.  You can take one look at  her and tell that she fell into the &quot;cool&quot; category at the high school she just graduate from, and yet here she is choosing to spend her evenings and weekends with a bunch of people twice her age or older writing down our blocking and sweeping the stage.  She&#039;s totally engaged in the process and full of ideas that she&#039;s not shy about sharing, and it&#039;s awesome.  I&#039;d love to pick her brain - what made her choose this activity?  What are her friends choosing?  Why?  I&#039;ll get back to you guys on that...

But to address Don&#039;s point, I don&#039;t think it matters why kids aren&#039;t getting immersed in theatre.  The rich kids are too busy, the poor kids have few resources - the end result is the same: the exposure is fleeting at best.  And the kind of specializing choices that Dennis talks about over on his blog do happen, but less and less.  Being brilliant in one activity doesn&#039;t impress on your college application these days as much as dabbling in 12 different things does.  But that&#039;s a whole secondary concern.  I think if whatever those fleeting exposures are that kids get to theatre are totally outside of their realm of expectation and experience, that is the way to hook &#039;em.  Web 2.0, all that kind of thing are going to be crucial to retaining their interest.  But getting them hooked in the first place is going to require taking those rare, brief opportunities we can get to bring theatre to them... and making them love what they&#039;re doing so much that they&#039;re willing to commit to it.  If the kids are really committed, educators and parents and theatre professionals are going to fight harder to overcome obstacles of resources or time or whatever.  Hell, kids might even be BETTER at overcoming all of those obstacles than us because maybe, just maybe, they can still remember that coloring outside the lines is an option.</description>
		<content:encoded><![CDATA[<p>Nick, I totally agree, and when I threw in the special performances/talkback idea, I have to admit it was my least favorite idea in the list.  Because I think you&#8217;re absolutely right that what is going to get kids excited about theatre is DOING it.  I&#8217;m planning to pick the brain of the 17-year-old stage manager I&#8217;m working with right now.  You can take one look at  her and tell that she fell into the &#8220;cool&#8221; category at the high school she just graduate from, and yet here she is choosing to spend her evenings and weekends with a bunch of people twice her age or older writing down our blocking and sweeping the stage.  She&#8217;s totally engaged in the process and full of ideas that she&#8217;s not shy about sharing, and it&#8217;s awesome.  I&#8217;d love to pick her brain &#8211; what made her choose this activity?  What are her friends choosing?  Why?  I&#8217;ll get back to you guys on that&#8230;</p>
<p>But to address Don&#8217;s point, I don&#8217;t think it matters why kids aren&#8217;t getting immersed in theatre.  The rich kids are too busy, the poor kids have few resources &#8211; the end result is the same: the exposure is fleeting at best.  And the kind of specializing choices that Dennis talks about over on his blog do happen, but less and less.  Being brilliant in one activity doesn&#8217;t impress on your college application these days as much as dabbling in 12 different things does.  But that&#8217;s a whole secondary concern.  I think if whatever those fleeting exposures are that kids get to theatre are totally outside of their realm of expectation and experience, that is the way to hook &#8216;em.  Web 2.0, all that kind of thing are going to be crucial to retaining their interest.  But getting them hooked in the first place is going to require taking those rare, brief opportunities we can get to bring theatre to them&#8230; and making them love what they&#8217;re doing so much that they&#8217;re willing to commit to it.  If the kids are really committed, educators and parents and theatre professionals are going to fight harder to overcome obstacles of resources or time or whatever.  Hell, kids might even be BETTER at overcoming all of those obstacles than us because maybe, just maybe, they can still remember that coloring outside the lines is an option.</p>
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		<title>By: Theaterosphere thoughts on Educational Theater &#124; New York Acting &#38; Theater Blog</title>
		<link>http://theaterforthefuture.com/a-strategy-for-educational-initiatives/comment-page-1/#comment-466</link>
		<dc:creator>Theaterosphere thoughts on Educational Theater &#124; New York Acting &#38; Theater Blog</dc:creator>
		<pubDate>Sun, 10 Aug 2008 19:32:11 +0000</pubDate>
		<guid isPermaLink="false">http://nikku.net/blog/a-strategy-for-educational-initiatives/#comment-466</guid>
		<description>[...] picks up the discussion over at Theater for the Future and runs with the themes of experience and immersion.  How through experience and immersion the [...]</description>
		<content:encoded><![CDATA[<p>[...] picks up the discussion over at Theater for the Future and runs with the themes of experience and immersion.  How through experience and immersion the [...]</p>
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		<title>By: Don Hall</title>
		<link>http://theaterforthefuture.com/a-strategy-for-educational-initiatives/comment-page-1/#comment-465</link>
		<dc:creator>Don Hall</dc:creator>
		<pubDate>Sun, 10 Aug 2008 13:53:46 +0000</pubDate>
		<guid isPermaLink="false">http://nikku.net/blog/a-strategy-for-educational-initiatives/#comment-465</guid>
		<description>I taught Musical Theater techniques and Musical Improvisation for the Cherubs several years in a row and I agree that it is a spectacular program.

Two quick thoughts:

1)  If your motivation for creating something is primarily to make money (say, starting an educational theater program as a part of your company) then that&#039;s exactly what it will be and pretty much nothing more.  I agree that the focus should be immersion - get &#039;em young and enthusiastic before life has told them how limited they are and how unreasonable a life in the arts will be.

2)  The challenge of *most* Primary and Secondary public education systems is not too many extracurriculars (those are for the mostly white, mostly middle class schools) but a dogma that insists that the arts are a waste of time and are only there to create breaks for the teachers of *real* subjects.  As much as we imagine most high schools being some sort of version of &quot;The Breakfast Club&quot; the truth is that most don&#039;t resemble that at all - the buildings are crumbling, the books are decades old, there is far more money spent on metal detectors and the removal of spray painted tags than on funding programs that inspire the students to grow.</description>
		<content:encoded><![CDATA[<p>I taught Musical Theater techniques and Musical Improvisation for the Cherubs several years in a row and I agree that it is a spectacular program.</p>
<p>Two quick thoughts:</p>
<p>1)  If your motivation for creating something is primarily to make money (say, starting an educational theater program as a part of your company) then that&#8217;s exactly what it will be and pretty much nothing more.  I agree that the focus should be immersion &#8211; get &#8216;em young and enthusiastic before life has told them how limited they are and how unreasonable a life in the arts will be.</p>
<p>2)  The challenge of *most* Primary and Secondary public education systems is not too many extracurriculars (those are for the mostly white, mostly middle class schools) but a dogma that insists that the arts are a waste of time and are only there to create breaks for the teachers of *real* subjects.  As much as we imagine most high schools being some sort of version of &#8220;The Breakfast Club&#8221; the truth is that most don&#8217;t resemble that at all &#8211; the buildings are crumbling, the books are decades old, there is far more money spent on metal detectors and the removal of spray painted tags than on funding programs that inspire the students to grow.</p>
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