On Nov. 7, Bilal Dardai and I had some fun live-tweeting THE MAN WHO WAS THURSDAY at New Leaf. Bilal provided the commentary, and I backed him up with a live stream of media – video, audio, and static images.

This is our first crack at packaging the byproducts of theatre – the DVD extras, so to speak – to maximize our creative exposure to an online audience. I’m interested to know what you think of the results. Obviously we didn’t publicize this event very much… it was more a proof of concept. The question is: are there pieces here that hook you to see the show, or that hook you to delve further into what we do at New Leaf, and what are they?

You can check out the full broadcast (with some additional commentary!) on Bilal’s blog.

Here’s some highlights:

New Leaf, 8:03pm: Brian Rooney prepares for his role as the Marquis RT @bilaldWill be updating from dressing room.

Bilal, 8:04pm: Sean Fawcett (Sunday) threatened to spend the first 30 minutes of this show staring at me blankly.

New Leaf:

Bilal, 8:30pm: Tidbit: the secret knock Gregory uses to access the anarchists’ chamber is that 10-note royalty phrase you always hear to signify “England.” First time I heard it, I thought it was the opening beat to the Rose Royce disco classic “Car Wash.”

New Leaf: http://blip.fm/~g12p8

Bilal, 8:37pm: @jesshutchinson‘s short-hand for this underground anarchists’ meeting is “JV (Junior Varsity) Council.”

Bilal, 8:41pm: The line “Order! Order, anarchists, order!” is one of the funniest lines in the play. And I wish I’d been the one who’d written it.

Bilal, 9:11pm: Just walked into side hallway and saw Ted Evans (Saturday) rocking from side to side, reciting his lines next to the ghost light. Creepy.

New Leaf: This album just rocks for Spy intrigue.

Bilal, 9:24pm: Meanwhile, Nick Mikula is setting up a lot of very large dominoes in front of the dressing room door.

New Leaf: We were going to ask what Nick Mikula was up to right about now.

Bilal, 10:00pm: I recently described @nhburger’s “Monday” voice as being that of the curator of the snootiest art gallery in hell.

New Leaf: Right about now, it is necessary for Monday and Tuesday to form an alliance. This is how they do it.

New Leaf, 10:14pm: Lyrics get progressively more tongue in cheek as show goes on: THURSDAY is @nickkeenan’s tribute to Baz Luhrman. ♫ http://blip.fm/~g17ws

Bilal, 10:15pm: Tidbit: One of the lines in the picnic monologues about Sunday is scavenged from a college poem I wrote about a girl who broke my heart.

Bilal, 10:32 pm: Two of the lines in this rewritten final scene are deliberate and snarky jabs at Chesterton’s actual ending. I’m a baaaaad boy. End of Play, Great Job, All!

New Leaf:

The Man Who Was Thursday is now running through November 21st, Thursday – Saturday at 8pm. I mention that because: We are very close to selling out the rest of the run. I’m looking forward to discussing why we think that happened. If you’re a regular reader of this blog and you haven’t seen it and you still want to, reserve your tickets now, don’t say I didn’t warn you.

Speaking of theatrical byproducts that are worth another look, have you heard our Treehouse podcasts at New Leaf? We’re finding and commissioning new plays, and recording podcasts of them. You can download them. On iTunes. For Free. Or join us at New Leaf every month for another live reading. For Free. Let me know what you think.

This post brought to you by Ana Lucia Novak, who bought me some coffee. Actually, do you know where that coffee money really goes? Paypal. Which means I use it to buy speakers. Like the two beautiful JF60s I bought for New Leaf that are used in Thursday. So thanks: Your donations make my own sticker shock greatly diminished.

Let there be no mistake: If you are in or near the city of Chicago, you should see Six Years at New Leaf Theatre before it closes on November 22nd.

I’ll make it easy for you later in this post. But first let me make the case to you.

It’s not because the acting is superb. Though it is.

It’s not because Sharr White’s script is deeply resonant in ways we couldn’t have imagined when we started the rehearsal process. Though it is.

It’s not because we at New Leaf deeply care about fostering a dialogue with the entire theater community and theater-going public with our work. Though we do.

It’s not because New Leaf’s work is crafted and priced to be a high-value evening. Though it is, and this week Time Out Chicago has said as much with a big red star labeled “Cheap” next to our Critic’s Pick – a coveted prize that I can’t remember seeing on another show.

It’s not because bloggers are always Pay-What-You-Will at New Leaf. Though you are.

It’s not because this is your last chance. Though it is.

It is because Six Years begins a triptych season – an important season for a relatively small company – that asks the question “How do we build a future from a present that we didn’t expect?” It is a question that needs to be answered. Now. And we believe that our work offers an opportunity for our audiences to break open big questions like that in a new way – an entertaining way that engages and fosters conversations and thought for days after the show.

We ask that question three times this year, on three scales, in three shows: Once as a nation of families. Then as an individual, alone and without support. Then as a community, together. We ask it three times because when you ask a question like that, you need to feel the question out on several levels: The big picture, the local picture, and your own picture.

I hope you can make it. I want you to make it, and I’m eager to know what you think and what resonates with you. Because you are smart, and your opinion will inform my work.

This post was inspired by a great post that just popped up from my new second-favorite theater town in the world: Here’s looking at you, Vancouver.