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	<title>Comments on: Questioning a Design Aesthetic, 2000 &#8211; 2005</title>
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	<link>http://theaterforthefuture.com/questioning-a-design-aesthetic-2000-2005/</link>
	<description>The Art in the Business of Theater - Collaboration Tools and Technology and the Storefront Theater Movement</description>
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		<title>By: Voyagerfan5761</title>
		<link>http://theaterforthefuture.com/questioning-a-design-aesthetic-2000-2005/comment-page-1/#comment-1278</link>
		<dc:creator>Voyagerfan5761</dc:creator>
		<pubDate>Wed, 27 May 2009 11:48:58 +0000</pubDate>
		<guid isPermaLink="false">http://nikku.net/blog/?p=673#comment-1278</guid>
		<description>Whoo, boy, did I enjoy reading this! You even included Lexicon! (BTW, the link to it is broken; you forgot your http:// :)

I am definitely looking forward to Part 2, and whatever else you post about this topic. It&#039;s mad interesting.</description>
		<content:encoded><![CDATA[<p>Whoo, boy, did I enjoy reading this! You even included Lexicon! (BTW, the link to it is broken; you forgot your http:// <img src='http://theaterforthefuture.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
<p>I am definitely looking forward to Part 2, and whatever else you post about this topic. It&#8217;s mad interesting.</p>
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		<title>By: Sound Design Interview on Talk Theatre in Chicago &#124; Theater For The Future</title>
		<link>http://theaterforthefuture.com/questioning-a-design-aesthetic-2000-2005/comment-page-1/#comment-1274</link>
		<dc:creator>Sound Design Interview on Talk Theatre in Chicago &#124; Theater For The Future</dc:creator>
		<pubDate>Mon, 25 May 2009 17:18:37 +0000</pubDate>
		<guid isPermaLink="false">http://nikku.net/blog/?p=673#comment-1274</guid>
		<description>[...] lost - of aesthetic considerations of sound design that several bloggers have been talking about here and elsewhere over the past few weeks - from collaboration, using the text as a starting point, to [...]</description>
		<content:encoded><![CDATA[<p>[...] lost &#8211; of aesthetic considerations of sound design that several bloggers have been talking about here and elsewhere over the past few weeks &#8211; from collaboration, using the text as a starting point, to [...]</p>
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		<title>By: Design aesthetics &#171; Toxic Blog&#8217;s Bag</title>
		<link>http://theaterforthefuture.com/questioning-a-design-aesthetic-2000-2005/comment-page-1/#comment-1256</link>
		<dc:creator>Design aesthetics &#171; Toxic Blog&#8217;s Bag</dc:creator>
		<pubDate>Wed, 13 May 2009 21:26:01 +0000</pubDate>
		<guid isPermaLink="false">http://nikku.net/blog/?p=673#comment-1256</guid>
		<description>[...] it looks like the discussion is starting to happen. Recent posts by Nick Keenan, Tony Adams, Heather Fenoughty and Steve Ptacek all have some great insights. Of course, I realize [...]</description>
		<content:encoded><![CDATA[<p>[...] it looks like the discussion is starting to happen. Recent posts by Nick Keenan, Tony Adams, Heather Fenoughty and Steve Ptacek all have some great insights. Of course, I realize [...]</p>
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		<title>By: joe griffin</title>
		<link>http://theaterforthefuture.com/questioning-a-design-aesthetic-2000-2005/comment-page-1/#comment-1254</link>
		<dc:creator>joe griffin</dc:creator>
		<pubDate>Wed, 13 May 2009 05:22:07 +0000</pubDate>
		<guid isPermaLink="false">http://nikku.net/blog/?p=673#comment-1254</guid>
		<description>Nick, this is exactly the kind of thing I think we need. I&#039;m continually frustrated by a lack of discussion about process and aesthetic in sound design. As I said in a recent post, it&#039;s groovy to read about speakers and $75k mixing desks, but especially at the storefront level some discussion of creative problem-solving is much more valuable. You say, &quot;One of the underlying reasons I’ve shied away from writing about sound on this blog is that there is so little sound design in theater theory out there.&quot; And I reply: we need to create some. Every month, &quot;Mix&quot; magazine has at least one article with a film sound designer about how they approached the creative aspect of a design...but &quot;Stage Directions&quot; just talks about wireless mic frequencies and speakers (not that those things are unimportant, certainly). 

Looking forward to Part 2.</description>
		<content:encoded><![CDATA[<p>Nick, this is exactly the kind of thing I think we need. I&#8217;m continually frustrated by a lack of discussion about process and aesthetic in sound design. As I said in a recent post, it&#8217;s groovy to read about speakers and $75k mixing desks, but especially at the storefront level some discussion of creative problem-solving is much more valuable. You say, &#8220;One of the underlying reasons I’ve shied away from writing about sound on this blog is that there is so little sound design in theater theory out there.&#8221; And I reply: we need to create some. Every month, &#8220;Mix&#8221; magazine has at least one article with a film sound designer about how they approached the creative aspect of a design&#8230;but &#8220;Stage Directions&#8221; just talks about wireless mic frequencies and speakers (not that those things are unimportant, certainly). </p>
<p>Looking forward to Part 2.</p>
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