Theater For The Future

The Art in the Business of Theater – Collaboration Tools and Technology and the Storefront Theater Movement
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Sonic Boom

November 05, 2008 By: Nick Keenan Category: Sound

Man this has been a good day for blogging. I feel so delightfully inconsistent.

I just got my first email from a reader of the Chicago Reader – which just published this article from Deanna Isaacs on our recent discussion about wireless mics and sound volume trends in theater over the past decade or so.

And here I am, up in my booth again, unable to cross the street to pull my own copy to skip home with. Ah well.

So, welcome, Reader readers! Your questions are welcome about sound, art, what you prefer and why you prefer it, and how sound generally affects your experience in entertainment.

A quick note, though, if the article scares you or reminds you of how deaf you have become. If you’ve been into that shake-me-up rock ‘n roll experience, and you’re also into keeping your hearing, check out these babies:

Attenuating Ear Plugs.

They’re not for everyone, but they can be affordable and have a “flat frequency response,” meaning they don’t color or distort the sound coming into your ears – like regular ear plugs would. They just make that sound that you’re hearing about 15 – 25 decibels quieter, and protect your hearing in the process.

I personally use something like this when listening to my iPod on the train – Isolating ear buds (Not to be confused with noise-canceling headphones that actually add to the ambient noise attacking your eardrums). Reduce the noise coming in, and I can enjoy my podcasts at a nice, safe, low volume.

Delicious.

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